Walter Bradford worked in newspaper comics for roughly the first quarter of the twentieth century, passing away in June of 1925 at age 53. His thousands of forgotten comics display a remarkable flair for screwball comedy, embracing anarchy, obsession, and insanity. In many ways, his stuff is as "out there" as Milt Gross, and in some ways a great deal screwier. His drawing style is, at first look, rather crude, but it is actually part of a now-forgotten school of comics that George Beckenbaugh (who worked under the name "Percy Winterbottom") in which the crudeness of the drawing is part of the joke.
|W.R. Bradford in a 1918 "selfie" - a staged scene called "The Fire,"|
which he posed in and took with an automatic timer.
|JINGLING JOHNSON by W.R. Bradford (August 29, 1909)|
For now, here's a small bite of John Dubbalong. Note the unusually dense story composition, with five scenes in 10 panels (eleven if you count the panel-within-a-panel). The last scene shows dental instruments madly dancing and singing an original song. Bradford was fond of writing silly verse, and built one of his most popular strips, Jingling Johnson around it (Johnson was a self-caricature of Bradford). Mysteriously, we are told the song is sung by a "quartette" of dental tools, but only three are shown -- either a sign of the haste with which the strip was composed, or another joke.
|JOHN DUBBALONG by W.R. Bradford (November 11, 1911)|
Given Bradford's status as an early master of screwball comics, and the subject matter of this particular example, it would not be inaccurate to say that this posting may qualify as a true "roots" of screwball comics entry -- although it might coax further groans to do so.
- Paul Tumey
P.S.: If you haven't already, be sure to find the accompanying Facebook group to the blog, The Masters of Screwball Comics, and send me a request to join. Lots of cool screwball comics and other neat stuff posted there every day that never makes it to this blog!