Of course, nothing about Rube Goldberg's inventions is simple, and this particular machine for opening a can involves a maid, an alarm clock, a net, a golf club, and a milk can -- and that's just for starters!
This design also includes waltzing mice and a dragon. One thing that's often overlooked about Rube Goldberg's invention cartoons is that he combined both living creatures and inorganic objects into new forms -- reminding us of Marshall McLuhan's famous observation that technological developments are extensions of our physiology and senses.
Simplified Can Opener by Rube Goldberg Originally published July 27, 1929 in Collier's magazine |
A manufacturing process combines people with objects to transform things into something else. Rube's machines also often involve people and, for good measure, lots of different animals. In this cartoon, Rube integrates a "pet dragon," which is a rare instance of a fantasy animal appearing in his inventions. Usually, Rube worked hard to make his inventions feel plausible, drawing not just A soup can cartoon, for example, but THE soup can cartoon. However, in his 1929-1931 series for Collier's, The Inventions of Professor Lucifer G. Butts, A.K., Rube achieved a new level of mastery which allowed him to not only include more and more objects into his inventions, but also more animals -- even mythological creatures such as fire-breathing dragons.
Looking at this piece, a tableau of domestic surrealism, rendered with straight-faced wit, it seems clear that Rube was as much a Surrealist and Dada-ist as Magritte, Dali, Duchamp, or Man Ray who also enjoyed presenting the absurd with a deadpan manner. In fact, Duchamp and Man Ray included a Rube Goldberg cartoon panel in their 1921 publication, New York DaDa. In 1936, three of Rube's invention cartoons were chosen for a landmark exhibit, "Fantastic Art, Dada, and Surrealism," displayed at New York's Museum of Modern Art (MOMA) in 1936. Here's a review of the exhibit that includes an admiring mention of Goldberg's inclusion:
Rube Goldberg's invention cartoons are recognized as Surreal and Dada art in this 1936 review of a MOMA exhibit |
A modest man, Rube Goldberg never placed himself in any such context, but it seems clear that his screwball sensibility was a direct influence on a significant artistic movement, and if you ask me, it's high time we recognize this!
Be sure to check back tomorrow for another Rube Goldberg invention cartoon. And don't forget -- be sure to visit the official Rube Goldberg Machine Contest to see the ELEVEN FINALISTS (just announced today!) for the 2013 Online contest. While there, you can vote for your favorite -- the winner will score the coveted "People's Choice" Award!
See Also:
Now, Where Did I Put My Simplified Can Opener,
Paul Tumey
All text copyright 2013 Paul Tumey
Great post, Paul. I especially liked your reference to Marshall McLuhan's famous observation that technological developments are extensions of our physiology and senses.
ReplyDeleteI devoured "Understanding Media" back in my undergrad days. The guy across the hall from me, who has become a lifelong friend, had read him previously. I remember him telling me, "You know, McLuhan uses 'media' in a really different way from what we're used to. He doesn't just mean newspapers and magazines, radio and TV. He would say that these chairs we're sitting in are 'media' too! It's unbelievable!"
And it was. Still trying to understand McLuhan, actually. Does anyone?
Most people only know him for that one---absolutely brilliant and hilarious scene in "Annie Hall", near the beginning of the film. LOL!
Looking forward to reading/viewing more of these. Great stuff!
Thanks, Steve -- I was pleased with myself when I worked in McLuhan. I even spelled his name correctly the first time!
ReplyDelete